Ground (1995) Ground (1995) + Uta Barth + Uta Barth Ground # 55 (1995) Ground # 55 (1995) ...In Passing Portfolio (1997) ...In Passing Portfolio (1997) Field #1 (1996) Field #1 (1996) Review: Uta Barth/Art Institute of Chicago Review: Uta Barth/Art Institute of Chicago ... PETER SUTHERLAND HANK WILLIS THOMAS WOLFGANG TILLMANS CATHERINE WAGNER JAMES WELLING MARK WYSE ... PETER SUTHERLAND HANK WILLIS THOMAS WOLFGANG TILLMANS CATHERINE WAGNER JAMES WELLING MARK WYSE Field #11 1995 Field #11, 1995 Field #12 (1995) Field #12 (1995) Field #16 1996 Field #16, 1996 Field 24 Field 24 Drawing with Light Uta Barth Recent McArthur fellow  Uta Barth takes photographs. She hopes they... Drawing with Light, Uta Barth Recent McArthur fellow  Uta Barth takes photographs. She hopes they... Field #23 (1998) Field #23 (1998) Full screen © Uta Barth courtesy Tanya Bonakdar Gallery NY License this image Uta Barth [no... Full screen © Uta Barth, courtesy Tanya Bonakdar Gallery, NY License this image Uta Barth, [no... Uta Barth Uta Barth Ground # 36 (1994) Ground # 36 (1994) Uta Barth Uta Barth INNER GO GO Uta Barth Peter Callesen Marcel van Eeden Euan Macdonald Jonathan Monk David... INNER GO GO Uta Barth, Peter Callesen, Marcel van Eeden, Euan Macdonald, Jonathan Monk, David... Review: Uta Barth/Art Institute of Chicago Review: Uta Barth/Art Institute of Chicago Photography (Uta Barth). Photography (Uta Barth). Uta Barth Uta Barth Uta Barth Uta Barth Speaking of pictorialists… Uta Barth is a German born American-based contemporary photographer who... Speaking of pictorialists… Uta Barth is a German born, American-based contemporary photographer who... The MacArthur Foundation has anointed its latest crop of geniuses and there are two visual artists... The MacArthur Foundation has anointed its latest crop of geniuses and there are two visual artists... Philip Kwame Apagya - photography. Philip Kwame Apagya - photography. ...a non action either in a poetic view with humour or by decoding the dissimilar sides of narration. ...a non action either in a poetic view, with humour or by decoding the dissimilar sides of narration.
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